I have always been very Balenciaga, and very of Alexander Wang -Although its collection spring-summer 2014 has a little chirriado me-, is why what I can only do one thing after seeing each of the designs in the collection of Balenciaga spring/summer 2014: cry. Cry of joy, of emotion, crying because this is what I call design, uppercase, that which is perceived from the perfection of forms up to the choice of fabrics, which only a few can make gala and that after many comings and goings the Californian Designer in which is demonstrated its second collection at the forefront of Balenciaga.
After a few early passes very influenced by the trend sports Alexander Wang, fabrics and shapes take on a lighter line, delicate and even romantic, very much agree with most monastic DNA of Balenciaga, that Christopher infundiera in the beginning.
Stone by way of overlapping flowers, flying skirts, dresses camiseros and tops or structured jackets have been the keynote of the collection, a collection that loosened security on each stroke, the security of knowing you’re doing well.
The new peplum
The peplum installed in pants and skirts renewing it through clips around the hip and forms that resemble the wings of ladybugs, lightweight and simple, through which the designer has achieved a new nod to sophistication and good work.
It is said is that they are one of the most sensual areas of the female body, it is for this reason that historically have been hidden after shawls and foulards, however, the shoulders have been discovered in Balenciaga, showing in the latest designs with cut outs that once again, the new concept of sophistication than the successor to Ghesquière did gala has instilled in the firm.